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Geoffrey coming to the farm somewhat early in the evening, Mona takes him round to the yard, where two dogs, hitherto unseen by Geoffrey, lie chained. They are two splendid bloodhounds, that, as she approaches, rise to their feet, and, lifting their massive heads, throw out into the night-air a deep hollow bay that bespeaks welcome. Mona shivers. Getting up from her lowly position, she draws back the curtains of her window and looks out upon the night. It is brilliant with moonlight, clear as day, full of that hallowed softness, that peaceful serenity, that belongs alone to night. "And do say it is like it," says Mona, entreatingly..
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Conrad
"Don't!" says Darling, weakly. "Don't put it in that light. It's too feeble. If you said I was madly in love with your wife you would be nearer the mark, as insanity touches on it. I haven't felt so badly for years. It is right down unlucky for me, this meeting with Mrs. Rodney." "Yes. When talking then of supplanting Sir Nicholas at the Towers, you spoke of your project as a 'splendid scheme.' What did you mean by it? I cannot get the words out of my head since. Is 'scheme' an honest word?" Geoffrey, moving to one side, stands where he can no longer be seen, feeling instinctively that the ebbing life before him finds its sole consolation in the thought of Mona. She is all he desires. From her he gains courage to face the coming awful moment, when he shall have to clasp the hand of Death and go forth with him to meet the great unknown. "How many hours there are in the night that we never count!" says Geoffrey, impatiently. "Good-night, Mona! To-morrow's dawn I shall call my dearest friend.".
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